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King Rat, by China Mieville
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Something is stirring in London's dark, stamping out its territory in brickdust and blood. Something has murdered Saul Garamond's father, and left Saul to pay for the crime.
But a shadow from the urban waste breaks into Saul's prison cell and leads him to freedom. A shadow called King Rat, who reveals Saul's royal heritage, a heritage that opens a new world to Saul, the world below London's streets--a heritage that also drags Saul into King Rat's plan for revenge against his ancient enemy,. With drum 'n' bass pounding the backstreets, Saul must confront the forces that would use him, the forces that would destroy him, and the forces that shape his own bizarre identity.
China Mieville's King Rat was nominated for both the International Horror Guild and Bram Stoker Awards for best first novel.
- Sales Rank: #331098 in Books
- Published on: 2000-10-06
- Released on: 2000-10-06
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .92" w x 5.54" l, .63 pounds
- Binding: Paperback
- 320 pages
Amazon.com Review
Saul Garamond returns from a journey in late evening and sneaks into his bedroom to avoid a confrontation with his estranged father. He awakes to the intrusion of police and the news that his father has been murdered and he is the number-one suspect. Forgotten in a jail cell, he is freed by a peculiar, stinking, and impossibly strong stranger--only to find rescue may be worse than imprisonment. The plot moves through subterranean and rooftop London quick as a techno beat, as Saul discovers his curious heritage and finds himself marked for death in an age-old secret war among frightful inhuman powers.
China Miéville's urban fantasy novel, King Rat, is an impressive, even daring, debut. It is a Lost Prince story that avoids both black-and-white morality and the standard fantasy-novel adoration of royalty. Furthermore, it is inspired by the unlikeliest of sources, the Rat King legend and the Pied Piper of Hamelin fairy tale. Finally, King Rat, powered and propelled by the rhythms of jungle/drum-'n'-bass music, is a fantasy novel set in the 1990s that genuinely captures the 1990s. --Cynthia Ward
From Publishers Weekly
In the past decade, contemporary renderings of traditional fairy tales have become a staple of fantasy fiction. This flashy riff on the Pied Piper theme marks a notable extension of the trend and an auspicious debut for its author. Saul Garamond is a restless young Londoner, aimlessly adrift, when he is wrongly imprisoned for the murder of his father. Saul is snatched from the authorities by a mysterious savior named King Rat, who claims to be both the deposed leader of the rodent army driven out of Hamelin 700 years before and Saul's real father. Raised as a human, Saul has much to unlearn before King can teach him to become a worthy opponent of the Rat Catcher, who framed Saul for murder and is still pursuing King. Meanwhile, the Rat Catcher forces his friendship on Saul's composer friend, Natasha, by posing as a flautist who hopes to work his melodies into her "drum 'n' bass" dance music and turn London's hip-hop underground into his unwitting stormtroopers. Though the plot is predictable and Saul's efforts to get in touch with his inner rat are clearly patterned on the Star Wars school of messiah-making, Mi?ville pulls the reader into the story through the kinetic energy of his prose. From the novel's opening image ("The trains that enter London arrive like ships sailing across the roofs"), the narrative crackles with a mesmerizing melange of impressionistic description and street slang that powerfully limns the squalid London cityscape. Paced at the rhythm of the Jungle music it evokes, this dark urban fantasy proves nearly as irresistible as the Pied Piper's tunes.
Copyright 1999 Reed Business Information, Inc.
From Booklist
An intruder wantonly murders Saul Garamond's father. Thus left to sink or swim on the streets of contemporary London, Saul is befriended by King Rat, ruler of the subterranean realm of the rodents. Saul comes of age in that brutal environment, which is depicted in equally brutal, even stomach-turning detail. He learns too late that King Rat is not the least bit altruistic. For him, Saul is a means of settling a centuries-old score between the rats and a certain musical rat catcher who once visited a town called Hamelin. Mieville's folkloric expertise is high, and his depiction of the grungier side of urban life is vivid and extensive, not to mention well-worded. Overall, however, the novel lacks the balance of more finished purveyors of urban realistic fantasy, such as Charles de Lint and Barbara Hambly. It is the maiden effort of a gifted young Englishman who appears to have learned a great deal about realism but somewhat less about reality--at least, so far. Roland Green
Most helpful customer reviews
24 of 26 people found the following review helpful.
Elemental-ary, my dear Watson
By socrates17
One theme amongst the other reviews for this marvelous book is to compare it to the author's next, Perdido Street Station which most people seem to have read first.
I did not. (In fact I have not yet read Perdido, having recently and reluctantly cancelled virtually all of my magazines due to the sad realization that there was not enough time in my life to keep up with both magazines and books.)
Nevertheless, I believe I would still have valued King Rat as highly as I do now.
King Rat layers levels of reality the way the physical geography of the book is layered with the surface of London, the downbelow, and occsionally the air when Loplop, King of the Birds is aloft.
The portrayal of the Techno - Drum and Bass milieu is perfectly realized as if by someone who must have lived it. The realm(s) of the three Kings, whom I cannot help but identify with Elementals, is both physically well drawn and (intentionally or not) an allegory for the sub-conscious.
The characters are exceptionally well portrayed. The reinvention of the Pied Piper is so audacious and effective that every page where he appears is haunted by a different Kind of Music entirely.
When I finished it, although probably not even the author would agree with the connection, there was nothing for it but to watch my DVD of The Sweet Hereafter, a different sort of work entirely, but one which also uses the Pied Piper as a significant metaphor.
Buy it. Read it. Be moved by it.
1 of 2 people found the following review helpful.
Rats Rule!
By A Customer
This is a very good and engaging reinscription of the Pied Piper children's story. Here the rats, more or less, are the heroes and the Piper is a beautiful but psychopathic musician. It is also a text where Mieville attempts to blend, more or less successfully, Industrial Fiction with an Adult Fairy Story. So it isn't particularly innovative (that's been going on for decades - transforming fairy stories into adult fiction and sometimes serious literature [Angela Carter's work for example]) but it is an interesting read: good writing, characters, incident, crisis, plotting, etc.
I do not give it 5 stars because there is nothing truly unique and inspiring about the read. You want to take a walk off the map? Read Carlton Mellick III's Electric Jesus Corpse.
4 of 7 people found the following review helpful.
Deep in the Dark
By Patrick Shepherd
For all the many words and apt phrases that Mieville uses, there may be only one word that describes Mieville works: dark. All of his novels to date have this sense of being written at the bottom of a dank, odiferous, and pitch-black well, to where the tiny bits of color that he allows shine through like the sun after a cloudburst.
For this, his first work, he confines himself to the comparatively mundane setting of underground London, underground in both the physical and slang senses of the word, as we follow the story of Saul Garamond, heir apparent to the King Rat of Pied Piper fame. From the sewers to the rifling of garbage heaps for dinner, Mieville delights in offending your hygienic senses while enticing you with glimpses of a musical sub-culture that is just as strange to the average person as the rarified air of sub-atomic research. Bringing the characters of the ancient fairy tale to life is no small task, and Mieville succeeds admirably in the persons of King Rat and the Pied Piper himself. The Pied Piper comes across as a truly sadistic being, as shown by his actions, though at one point he specifically denies that characterization, while King Rat is easily identified with as the whining, downtrodden person who can never quite reach his goal of revenge. Their conflict is very real and very understandable, couched in a thousand years of remembrances of wrongs done, and is an effective mirror of all too many human interactions.
What is not so well crafted is the character of Saul. His reactions to the impossibility of the reality of King Rat, or to the murder of his father, come across as much too accepting, reactions that no normal person would have. But it is even hard to judge just how close to normal Saul is, as his background, his emotional makeup, his normal life are only sketched in before being plunged into the midnight realm of rats and sewers. The emotional impact of this book would have been greatly enhanced had Saul been given much more development prior to the start of the fairy-tale action. The secondary characters are also given short shrift, and as these characters have important roles to play in the final outcome, this once again subtracts from the full power this story could have had.
For a first novel, this is excellent, already showing signs of Mieville's imposing command of the English language to evoke mood and feelings, but the necessary cohesiveness between story and character that would make this a great novel is lacking. Still a very entertaining read, worth the time and effort, and very much recommended before tackling his later works of Perdido Street Station and The Scar, where he shows how much more he can accomplish.
--- Reviewed by Patrick Shepherd (hyperpat)
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