Thursday, April 30, 2015

>> PDF Download The Sculptress: A Novel, by Minette Walters

PDF Download The Sculptress: A Novel, by Minette Walters

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The Sculptress: A Novel, by Minette Walters

The Sculptress: A Novel, by Minette Walters



The Sculptress: A Novel, by Minette Walters

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The Sculptress: A Novel, by Minette Walters

In prison, they call her the Sculptress for the strange figurines she carves-- symbols of the day she hacked her mother and sister to pieces and reassembled them in a blood-drenched jigsaw. Sullen, menacing, grotesquely fat, Olive Martin is burned-out journalist Rosalind Leigh's only hope of getting a new book published.

But as she interviews Olive in her cell, Roz finds flaws in the Sculptress's confession. Is she really guilty as she insists? Drawn into Olive's world of obsessive lies and love, nothing can stop Roz's pursuit of the chilling, convoluted truth. Not the tidy suburbanites who would rather forget the murders, not an attack on her life-- not even the thought of what might happen if the Sculptress went free...

  • Sales Rank: #213513 in Books
  • Brand: St. Martin's Paperbacks
  • Published on: 1994-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.84" h x .88" w x 4.28" l,
  • Binding: Mass Market Paperback
  • 320 pages
Features
  • Great product!

Amazon.com Review
Convicted of the brutal ax murders of her mother and sister, Olive Martin spends her days in prison carving tiny human figures out of wax. Rosalind Leigh is a best-selling author whose publisher jolts her out of writer's block by telling her to research a book about Olive and the murders, or else. Though repelled by the idea at first, Rosalind soon becomes intrigued by her subject and begins to believe she may be innocent. She soon uncovers plenty of reasons to doubt the official police version of the killings and with Olive's help, untangles a sinister cover-up. The Sculptress won the 1994 Edgar Award for best mystery novel.

From Publishers Weekly
This Edgar Award-winning mystery turns on the relationship between a troubled journalist and a woman convicted of a gruesome murder.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
There are many excellent British actresses who regularly read audiobook productions; so with all the talent available, why did the producer choose an American to read this very British thriller? Sandra Burr handles the dialog with an adequate accent but lapses into American pronunciation for the narrative. The shifts vary from distracting to irritating. The deficiencies in the narration are unfortunate because the story is a good one: Rosalind Leigh is a writer assigned to investigate a sensational murder case. Olive Marting has been sentenced to life imprisonment for the grisly murders of her mother and sister. Roz finds the woman to be sane and comes to believe that Olive is innocent. The Sculptress is a compelling tale of psychological suspense that will appeal to fans of Ruth Rendell. Larger collections may consider purchase.?Nann Blaine Hilyard, Fargo P.L., N.D.
Copyright 1995 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Incomparable Minette Walters
By CCS, in Maryland
No one writes like Minette Walters. No matter how good you are, you'll never figure out who done it. I've just started devouring her books and purchased this one because unavailable at my library + won the Edgar. I HIGHLY recommend THE DARK ROOM by Walters - most confounding one I've read yet - I followed a red herring all the way to the end without figuring it out. Walters is the best.

19 of 19 people found the following review helpful.
TRUE BEAUTY COMES WRAPPED IN DIFFERENT PACKAGES...
By lawyeraau
This is an intriguing, well written mystery which garnered the 1994 Edgar Award for best novel of the year for British writer, Minette Walters, who has written quite a number of excellent books. She is a writer in the tradition of that other great British novelist, Ruth Rendell, known also as Barbara Vine. The comparison by those who are familiar with the works of both Ms. Walters and Ms. Rendell is inescapable.
This book revolves around two main stories that become by necessity intertwined. One is that of a morbidly obese, young woman, Olive Martin, who is imprisoned for the brutal and grisly murders of her mother, Gwen, and beautiful, younger sister, Amber, whose butchered bodies shocked even the most jaded of folks. On the eve of trial, Olive made a full confession to the crime and received a prison sentence of not less than twenty-five years for her butchery. Known in prison as "The Sculptress", she passes the time making miniature, carved, wax images, a delicate and sensitive pastime for one with a reputation for such primal savagery.
Enter Rosalind "Roz" Leigh, a thirties something author suffering from writer's block, who accepts a commission to write about the Olive Martin case. After meeting Olive, she becomes intrigued by her, finding her to be other than what she had expected, and a symbiotic relationship develops between the two. As she delves into the facts of the murder case, and as her interviews with Olive reveal, all is not quite what it seems. The more that Roz sorts through the facts and the more people that she interviews who were in some way associated with the Martin family, the more she becomes convinced that a miscarriage of justice has occurred and that the wrong person is paying a horrific price for the grisly murders of Gwen and Amber.
Someone, however, does not wish her to dig too deeply. With the aid of a former police sergeant, Hal Hawksley, an attractive, though conflicted, young man who is now her new love interest and was also the officer who arrested Olive for the murders, Roz stays the course and perserveres in her inquiry. What she discovers is a complex morass of human indifference, greed, and passion that makes for a compelling and well crafted mystery.

5 of 5 people found the following review helpful.
Perfect Commuter Reading
By capricious
This was the first Minette Walters book I have read and I have bought all her others since reading The Sculptress.
The characters are well descibed and vivid, the story is a well-blended mix of mystery, emotion, fact and speculation.
Walters does not rely on a formula to help her writing output and each of her books comes across as fresh and unique.
This is the perfect book to make you look forward to a daily commute - but keep an eye out for your stop!

See all 51 customer reviews...

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^ Download PDF The Collected Stories of Arthur C. Clarke, by Arthur C. Clarke

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The Collected Stories of Arthur C. Clarke, by Arthur C. Clarke

The Collected Stories of Arthur C. Clarke, by Arthur C. Clarke



The Collected Stories of Arthur C. Clarke, by Arthur C. Clarke

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The Collected Stories of Arthur C. Clarke, by Arthur C. Clarke

Author of 2001: A Space Odyssey, Childhood's End, The City and the Stars, and the Hugo and Nebula Award-winning Rendezvous with Rama, Arthur C. Clarke is the most celebrated science fiction author alive. He is―with H. G. Wells, Isaac Asimov, and Robert A. Heinlein―one of the writers who define science fiction in our time. Now Clarke has cooperated in the preparation of a massive, definitive edition of his collected shorter works. From early work like "Rescue Party" and "The Lion of Comarre," through classics like "The Star," "Earthlight," "The Nine Billion Names of God," and "The Sentinel" (kernel of the later novel, and movie, 2001: A Space Odyssey), all the way to later work like "A Meeting with Medusa" and "The Hammer of God," this immense volume encapsulates one of the great SF careers of all time.

  • Sales Rank: #181614 in Books
  • Color: Black
  • Brand: Clarke, Arthur C.
  • Published on: 2002-01-14
  • Released on: 2002-01-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.16" h x 1.73" w x 6.25" l,
  • Binding: Paperback
  • 976 pages

Amazon.com Review
Ancient Rome had its famed Five Good Emperors--Nerva, Trajan, Hadrian, Antoninus Pius, and Marcus Aurelius, for those keeping track. And while science fiction might not have Edward Gibbons around to dole out similar, agreed-upon honors, everyone pretty much accepts the canonization of a few founding fathers: Asimov, Heinlein, Wells, and Bradbury all make the short list, as does--always--the venerable and venerated Sir Arthur C. Clarke, a Science Fiction Writers of America Grand Master and the winner of just about every SF award you care to mention.

So whether you're already familiar with his works or not (most notably Childhood's End and the Rama series), you certainly can't go wrong picking up this veritable brick of a collection--912 pages in all--as either primer or essential reference. Within you'll find virtually every short piece of fiction that Clarke has ever published, from 1937's endearingly twee (in retrospect) "Travel by Wire" to 1999's "Improving the Neighbourhood," the first sci-fi Nature ever published.

The Collected Stories is all short works (as short as 31 words in one case) and includes some of Clarke's best stories, including the lighthearted "Tales of the White Hart" and the momentous "The Star" and "The Nine Billion Names of God." --Paul Hughes

From Library Journal
Bringing together more than six decades of sf short stories that have helped to mold the genre, this collection of short fiction by Grandmaster Clarke serves as a definitive example of sf at its best. From such classic tales as "The Nine Billion Names of God" and "The Hammer of God" to lesser-known early tales and everything in between, this collection displays the author's fertile imagination and irrepressible enthusiasm for both good storytelling and impeccable science. With over 100 stories and nearly 1000 pages, this volume by the award-winning author of 2001: A Space Odyssey makes a fine addition to any library's short story or sf collection.
Copyright 2001 Reed Business Information, Inc.

From Booklist
This may be the single-author sf collection of the decade, even though the decade has barely begun, for it contains all the shorter fiction by Sir Arthur C. Clarke that he wishes to preserve, and he is one of the authentic pioneers and shapers of sf in English. Although most of these stories date from between 1946 and 1970, seven earlier tales, rescued from what would now be called fanzines, extend coverage back to 1937, and a few snippets stretch it toward the present. At least two dozen stories bear titles that are household words among sf readers--"The Sentinel" (progenitor of the 2001 saga), "The Nine Billion Names of God," "The Songs of Distant Earth," etc., not to mention all of the whimsical Tales from the White Hart. The stories demonstrate Clarke's dazzling and unique combination of command of the language, scientific and other kinds of erudition, and inimitable wit. Add early-twentieth-century English philosopher-novelist Olaf Stapledon's influence, which Clarke freely acknowledges, and it is possible to feel that if the term sense of wonder didn't exist, it would have to be now to describe what Clarke's majestic narratives evoke. Roland Green
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

37 of 37 people found the following review helpful.
Incomplete but still definitive collection for everybody not indifferent to Arthur Clarke
By Alexander Arsov
Arthur C. Clarke

The Collected Stories

Tor, Hardback, 2001
8vo. x+966 pp. Foreword by Arthur Clarke, June 2000 [ix-x].

First published thus, 2000.

Contents*

Foreword

1. Travel by Wire! [1937]
2. How We Went to Mars [1938]**
3. Retreat from Earth [1938]
4. Reverie [1939]**
5. The Awakening [1942]
6. Whacky [1942]
7. Loophole [1946]
8. Rescue Party [1946]
9. Technical Error [1946]
10. Castaway [1947]
11. The Fires Within [1947]
12. Inheritance [1947]
13. Nightfall [1947, aka "The Curse"]
14. History Lesson [1949]
15. Transience [1949]
16. The Wall of Darkness [1949]
17. The Lion of Comarre [1949]
18. The Forgotten Enemy [1948]
19. Hide-and-Seek [1949]
20. Breaking Strain [1949]
21. Nemesis [1950]
22. Guardian Angel [1950]
23. Time's Arrow [1950]
24. A Walk in the Dark [1950]
25. Silence Please [1950]
26. Trouble with the Natives [1951]
27. The Road to the Sea [1951
28. The Sentinel [1951]
29. Holiday On the Moon [1951]**
30. Earthlight [1951]**
31. Second Dawn [1951]
32. Superiority [1951]
33. "If I Forget Thee, Oh Earth..." [1951]
34. All The Time in the World [1952]
35. The Nine Billion Names of God [1953]
36. The Possessed [1953]
37. The Parasite [1953]
38. Jupiter Five [1953]
39. Encounter in the Dawn [1953]
40. The Other Tiger [1953]
41. Publicity Campaign [1953]
42. Armaments Race [1954]
43. The Deep Range [1955]
44. No Morning After [1954]
45. Big Game Hunt [1956]
46. Patent Pending [1954]
47. Refugee [1955]
48. The Star [1955]
49. What Goes Up [1956]

Venture to the Moon [1956]
50. The Starting Line
51. Robin Hood, F.R.S.
52. Green Fingers
53. All that Glitters
54. Watch this Space
55. A Question of Residence

56. The Pacifist [1956]
57. The Reluctant Orchid [1956]
58. Moving Spirit [1957]
59. The Defenestration of Ermintrude Inch [1957]
60. The Ultimate Melody [1957]
61. The Next Tenants [1957]
62. Cold War [1957]
63. Sleeping Beauty [1957]
64. Security Check [1956]
65. The Man Who Ploughed the Sea [1957]
66. Critical Mass [1949]

The Other Side of the Sky [1957]
67. Special Delivery
68. Feathered Friend
69. Take a Deep Breath
70. Freedom of Space
71. Passer-by
72. The Call of the Stars

73. Let There Be Light [1957]
74. Out of the Sun [1958]
75. Cosmic Casanova [1958]
76. The Songs of Distant Earth [1958]
77. A Slight Case of Sunstroke [1958]
78. Who's There? [1958]
79. Out of the Cradle, Endlessly Orbiting... [1959]
80. I Remember Babylon [1960]
81. Trouble with Time [1960]
82. Into the Comet [1960]
83. Summertime on Icarus [1960]
84. Saturn Rising [1961]
85. Death and the Senator [1961]
86. Before Eden [1961]
87. Hate [1961]
88. Love That Universe [1961]
89. Dog Star [1962]
90. Maelstrom II [1965]
91. An Ape About the House [1962]
92. The Shining Ones [1962]
93. The Secret [1963]
94. Dial F for Frankenstein [1965]
95. The Wind from the Sun [1964]
96. The Food of the Gods [1964]
97. The Last Command [1965]
98. The Light of Darkness [1966]
99. The Longest Science-fiction Story Ever Told [1966]
100. Playback [1966]
101. The Cruel Sky [1967]
102. Herbert George Morley Roberts Wells, Esq. [1967]
103. Crusade [1968]
104. Neutron Tide [1970]
105. Reunion [1971]
106. Transit of Earth [1971]
107. A Meeting with Medusa [1971]
108. Quarantine [1977]
109. siseneG [1984]
110. The Steam-powered Word Processor [1986]***
111. On Golden Seas [1986]
112. The Hammer of God [1992]**
113. The Wire Continuum (with Stephen Baxter) [1998]**
114. Improving the Neighbourhood [1999]**

* In square brackets: the year of first publication, usually in magazine.

** Apparently first appearance at all, or at least first appearance in book form.

*** The only appearance of this piece in book form before seems to have been in the collections of essays Astounding Days (1989) and Greetings, Carbon-Based Bipeds! (1999).

================================================='

Let's start with the surest way to be excruciatingly dull: bibliographical details. Indeed, this review will consist mostly of such stuff. Whatever I have to say about the short stories themselves, I have said it (or will say it) in the reviews of the separate collections.

This book includes exactly 114 pieces of short fiction that span the truly impressive 62 years (1937-99). The collection is not complete and it does not contain every single piece of short fiction Arthur Clarke ever wrote, but the omissions are negligible. More of them later.

Between 1953 and 1972, his most productive years in the genre, Arthur Clarke published six short story collections comprised of pieces that had appeared in various magazines and anthologies fairly shortly before. These contain altogether 95 short stories distributed as follows:

Expedition to Earth (1953, 11 stories)
Reach for Tomorrow (1956, 12)
Tales from the White Hart (1957, 15)
The Other Side of the Sky (1958, 24)
Tales of Ten Worlds (1962, 15)
The Wind from the Sun (1972, 18)

[Of course the list above omits collections such as The Nine Billion Names of God (1967) and Of Time and Stars (1972) for the simple reason that they only reprinted stories that had previously appeared in other of Clarke's collections.]

All of these 95 pieces are included in The Collected Stories. Please note that there are some alternative titles which are highly misleading. For instance, ''The Curse'', originally published under this title in Reach for Tomorrow, appears here as ''Nightfall''. I may mention in passing that, for the sake of clarity, I omit any references to magazines and anthologies, regarding Clarke's own collections as the definitive source for his stories.

Four other collections must be mentioned. They were published between 1973 and 1989 and consist almost - but not quite - of previously published stuff. The exceptions are marked as "new" (note the quotation marks) because almost always they were written a good deal earlier. Altogether there are 12 such stories which are of interest for the present discussion:

The Best of Arthur C. Clarke 1937-1971 (1973, 4 "new" stories)
The Sentinel(1983, 2)
The Wind from the Sun (1987 edition, 3)
Tales from Planet Earth(1989, 3)

Of these 12 "latecomers", 10 are reprinted in The Collected Stories. The exceptions - again - are no big loss. One is a movie outline of "The Songs of Distant Earth" (from The Sentinel), which looks much better as a short story which is of course included here, and the other is a short sketch titled "When the Twerms Came", which originally appeared in Clarke's non-fiction book The View from Serendip (1978) and was later reprinted in the 1987 edition of The Wind from the Sun.

Doing some elementary maths shows that 105 of the stories included in The Collected Stories have previously appeared in no fewer than 10 different collections with Clarke's short fiction, yet the latter contained but two relatively insignificant pieces not included here. To cut the long story short, this collection is not complete, but it definitely deserves the strong adjective "definitive".

For the rest nine pieces this edition seems to be the first appearance in book form, or at least in a book by Arthur Clarke alone. Of course there are exceptions here, too. The novella "The Lion of Comarre", though published in anthology as early as 1949, appeared in Clarke's book only in 1968, coupled with "Against the Fall of Night" (1948), which was later to become the novel The City and the Stars; since the earlier piece is more like a novel, it is rightly not included here. The other exception is "The Steam-powered Word Processor" which had previously appeared in the magnificent collection of Clarke's non-fiction writings Greetings, Carbon-Based Bipeds! (1999) and in his science fictional autobiography Astounding Days (1989), but not in anything that can safely be called short story collection. This is just another reminder that the border line between fiction and non-fiction in Clarke's oeuvre is not always straight and easy to distinguish. One may just as well regret that "Report on Planet Three", "So, You're Going to Mars?" and "Vacation in Vacuum" are not included here, either. They all can be found both in two excellent collections of essays: Report on Planet Three (1972) and The Challenge of the Spaceship (1959).

(Having mentioned ''Against the Fall of Night'', it is worth noting that The Locus Index to Science Fiction for 2001 gives the names of two other pieces of short fiction by Clarke, in addition to those already mentioned, that have been omitted in the present collection: ''At the Mountains of Murkiness'' (1940) and ''Tales from the 'White Hart'' (1990): The Jet-Propelled Time Machine'' (1990). Anyway, even when these are taken into account, the omissions remain negligible.)

So far as can be ascertained online, the rest seven pieces (marked with ** above) have never previously appeared in any book of Clarke, even though only three of them seem never to have been printed at all ("How We Went to Mars", "Reverie" and "Holiday on the Moon"). At any rate, it is nice to have these stories here. Some of them are of interest because they later became novels ("The Hammer of God") and some because of their historical importance. "Improving the Neighbourhood" had the honour to be the first science fiction published - at least intentionally - by the (perhaps a trifle too) august Nature magazine; it also was Clarke's last story as he was nearly 82 years old at the time of writing. Actually it is no story at all, for it is much more like a sketch for one, but it shows yet again that Clarke could, and did, say something interesting even in his slightest pieces.

The edition itself is handsomely produced and rather convenient for its mammoth size; of course you should avoid paperback editions because they, inevitably, are difficult to handle when the page count chases the 1000-mark. The editorial work, however, is a trifle mediocre. Almost every story has a pithy prefatory note by Clarke that is well worth reading, and his Foreword is welcome too. But each story also has another note, printed under the title, which is supposed to give some bibliographical information. Unfortunately, most of these "notes" are highly repetitive with Clarke's and, worse, they sometimes give incomplete or misleading information about the publication history.

Of course the collection - spanning 62 years of writing, if I may remind you - is uneven, but those who degrade it for that reason alone are missing the point completely. Clarke's very early stories, namely those written up to 1946, are certainly not on the level of the later ones, but they are firmly in the minority - and "Travel By Wire" is not a bad achievement for a lad of twenty, don't you think? The quarter of a century between 1946 and 1971 represents Arthur Clarke at the peak of his formidable powers as a short story writer. The staggering 101 pieces resulted, four a year on the average, and the most important thing about them is not that they are uneven, as this is inevitable, but that Clarke is uncommonly often at his best.

Clarke's stupendous range of forms, moods and techniques is another thing to savour while perusing this volume. He wrote everything from half-page bad jokes ("The Longest Science-fiction Story Ever Told") to thought-provoking novellas of considerable length ("The Songs from Distant Earth", "Guardian Angel"). He is often accused of being too dry or too scientific. Neither could be further from the truth. Even Clarke's most technical stories, containing a great deal of popular science, such as "Technical Error", "Out of the Sun", "The Fires Within" of "A Meeting with Medusa", offer a lot more than mere technical stuff. The popular accusation of lack of characterization is all moonshine as well; "The Parasite", "A Walk in the Dark" and "Breaking Strain", to name just three, are there to prove it. And when we are talking about mind-blowing experience that stretch one's imagination beyond time and space, Clarke can at best be equaled, but I don't really think he could be surpassed. Examples here are numerous, some of the most famous ("The Sentinel", "The Star") will do very nicely. Last but not least, when he wants to, Clarke can be perfectly and deliciously hilarious. "Trouble with the Natives", "Loophole" or most of the "Tales from the White Hart" are uproarious fun to read.

There's no need to elaborate further. Here's the bottom line. If you are a Clarke aficionado, The Collected Stories is a must for your shelves, repetitions and all. If you have never read anything by Clarke, you could hardly do better than this volume. It may prove to be the beginning of a quest that will last for the rest of your life, or it may convince you that this is guy is not really worth reading: the choice is yours. If you, for some strange reason, are familiar with Clarke's novels and/or essays, but have no idea of his short stories, you certainly cannot do better than to grab this volume.

2 of 2 people found the following review helpful.
A Wonderful Near Comprehensive Collection
By Dave_42
Sir Arthur C. Clarke (December 16, 1917 - March 19, 2008) was one of the masters of Science Fiction. For over 50 years he wrote stories which amazed and delighted readers, and this collection helps bring together his short fiction in one place for fans to enjoy. Early editions of this collection were fraught with error, and so it has developed a poor reputation. From what I can tell, though, these problems have been corrected, and this is now a great collection for those who want to experience not only his greatest works, but also those which are not so great. You can see his development as a writer within these pages.

The quality of Clarke's work varies quite a bit from the earlier fanzine stories to his excellent work later on, which results in the overall collection having variable strength. There also appear to be some stories omitted, which makes this less than a complete collection, though certainly most of his works are here. You will certainly find great works such as "The Nine Billion Names of God", "The Sentinel", "The Star", "A Meeting with Medusa", and others, but for me those works are already easily found elsewhere, and the interest in this work was being able to read some of his rarer works, even if they weren't his greatest stories.

I can easily see why some would give this work less than five stars, especially if they had an earlier edition which had so many spelling errors and other mistakes in it. However, for me, it rates five stars because of the near comprehensive look at the short fiction from one of the greatest science fiction writers of all time.

1 of 1 people found the following review helpful.
the collected stories of arthur c clarke
By Marquita E. O'riley
I got my copy in the spring of this year 2008. I love the book. Arthur Clarke is a wonderful storyteller His knowledge and inmagination in the field of science /fiction is great The stories are interesting, funny and suspenceful. They will make you think and let your imagination fill in the blanks. I have given 3 copies as gifts to my son and two brothers and they also like the book very much. I also like that they are short stories so that I can read and finish a story quickly.

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# PDF Download The Hard SF RenaissanceFrom Orb Books

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The Hard SF RenaissanceFrom Orb Books

Something exciting has been happening in modern SF. After decades of confusion, many of the field's best writers have been returning to the subgenre called, roughly, "hard SF"-science fiction focused on science and technology, often with strong adventure plots. Now, World Fantasy Award-winning editors David G. Hartwell and Kathryn Cramer present an immense, authoritative anthology that maps the development and modern-day resurgence of this form, argues for its special virtues and present preeminence-and entertains us with some spectacular storytelling along the way.

Included are major stories by contemporary and classic names such as Poul Anderson, Stephen Baxter, Gregory Benford, Ben Bova, David Brin, Arthur C. Clarke, Hal Clement, Greg Egan, Joe Haldeman, Nancy Kress, Paul Levinson, Paul McAuley, Frederik Pohl, Alastair Reynolds, Kim Stanley Robinson, Robert J. Sawyer, Karl Schroeder, Charles Sheffield, Brian Stableford, Allen Steele, Bruce Sterling, Michael Swanwick, and Vernor Vinge.

The Hard SF Renaissance will be an anthology that SF readers return to for years to come.

  • Sales Rank: #1129119 in Books
  • Published on: 2003-10-01
  • Released on: 2003-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.90" w x 6.14" l, 2.02 pounds
  • Binding: Paperback
  • 960 pages

Amazon.com Review
Edited by David G. Hartwell and Kathryn Cramer, The Hard SF Renaissance (2002) is a thematic sequel to their 1994 anthology The Ascent of Wonder. The first anthology argued that "[t]here has been a persistent viewpoint that hard [science fiction] is somehow the core and the center of the SF field." The Hard SF Renaissance asserts that hard SF has truly become the heart of the genre and supports its assertion by assembling nearly a thousand pages of short stories, novelettes, and novellas originally published between the late 1980s and early 2000s. A different theory says hard SF stories are engineering puzzles disguised as fiction; The Hard SF Renaissance repudiates this theory in regard to modern hard SF. Most of the selections have strong prose and rounded characters, several are classics, and gadget-driven clunkers are mercifully few.

Contributors to The Hard SF Renaissance range from SF gods like Poul Anderson, Arthur C. Clarke, and Frederik Pohl; to promising newcomers like Alastair Reynolds, Karl Schroeder, and Peter Watts; and to acclaimed SF writers not usually associated with hard SF, like James Patrick Kelley, Kim Stanley Robinson, Bruce Sterling, and Michael Swanwick.

You may have noticed the lack of women in that list. It reflects the book: the 30-odd contributors (some with two stories) include only three women (Nancy Kress, Joan Slonczewski, and Sarah Zettel, with one story each). Some eyebrow-elevating omissions are Eleanor Arnason, Catherine Asaro, Nicola Griffith, Ursula K. Le Guin, and Connie Willis, all of whom have written hard SF stories in the period covered by The Hard SF Renaissance. They've certainly written SF harder than the book's implicit definition (the book reprints Kim Stanley Robinson's fine story "Sexual Dimorphism," in which fossil DNA serves as a metaphor for the protagonist's failing relationship; a few cosmetic changes and this SF story would be mainstream). The absence of several crucial authors makes The Hard SF Renaissance a less-than-definitive anthology of late-20th-century hard SF. --Cynthia Ward

From Library Journal
From Paul McAuley's tale of runaway technology ("Gene Wars") to Gregory Benford's story of evolution and murder ("Immersion"), the 41 stories in this annotated anthology provide a strong argument for the revival of hard sf as a major force in the genre in the 1990s. Showcasing short fiction by veteran sf authors like Kim Stanley Robinson, Joe Haldeman, Bruce Sterling, Nancy Kress, Ben Bova, and Arthur C. Clarke, the collection charts the emergence of trends in the genre. Primary among them are the movement away from a conservative, pro-military route and toward a more liberal-minded science, as well as the rising prominence of British and Australian authors. Each story is prefaced by brief commentaries that continue the arguments posited in the general introduction. For libraries wanting a definitive collection of hard sf written since 1990, this is a priority purchase. Highly recommended.
Copyright 2002 Reed Business Information, Inc.

From Booklist
This colossal anthology covers the return of sf to themes based in the hard sciences. The contents demonstrate that biology now rivals physics as an inspiration, and that the farther shores of inspirational physics extend farther out than ever before. Of course, some writers draw on a complex compound of the sciences to realize the worlds they conjure; for instance, Kim Stanley Robinson, whose two stories here share the setting of his Mars trilogy. Among the venerable titans who have contributed to the new hard sf and whose work is represented are the late Poul Anderson, Arthur C. Clarke, Gregory Benford, Hal Clement, and Frederick Pohl. One very fruitful entry is "Beggars in Spain," the seed of Nancy Kress' award-winning Beggars trilogy. Other diverse offerings come from Stephen Baxter; David Brin; Joan Slonczewski, showing her usual dab hand with biology; and Robert J. Sawyer, quietly intelligent as ever. A very satisfactory overview of a major portion of contemporary sf and a sterling achievement by Tor and the Hartwell-Cramer team. Roland Green
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Hard SF of the `90s Defined and Demonstrated
By John M. Ford
This edited volume assembled by David Hartwell and Kathryn Cramer contains 41 "hard science fiction" stories sampled from the best writers of the 1990s. It stands alone as a collection, but is best seen as a continuation of their previous anthology, The Ascent of Wonder: The Evolution of Hard SF. Their similarly-themed Space Opera Renaissance is a logical next read.

My favorite stories are:

Greg Egan - Wang's Carpets. A new kind of life is both hard to detect and understand.
Robert Reed - Marrow. A long-term mission on a generation ship redefines long-term.
Joe Haldeman - For White Hill. Just another love story on home planet Earth.
Karl Schroeder - Halo. A fight-against-terrorism story with characters who never meet.
Vernor Vinge - Fast Times at Fairmont High - Convinces you to read--or not read--Rainbows End, depending on your taste.
Sarah Zettel - Kinds of Strangers. How do marooned astronauts respond to stress?

This is a particularly good collection--there was not a single story I didn't like. SF readers should scan the table of contents before buying, however, since these stories have all appeared elsewhere. The book's preface and brief introductions to each story add significant value. They contain the usual author bios and pointers to other story collections, novels and series. Each intro also presents each author's definition of "hard SF" and excerpts informatively from the authors' own descriptions of their work. The editors' inclusive definition of hard SF as technology and concept-driven science fiction allows entry to an intriguing variety of stories and perspectives. The authors' definitions enrich this definition and teach us interesting lessons about the evolution of science fiction during the 1990s.

I recommend the book to science fiction readers who enjoy solid stories in this genre. I further recommend it to Kindle and iPhone users who want something good to read during the snippets of found time in their hectic schedules.

0 of 0 people found the following review helpful.
Great package
By Amazon Customer
A great tour of some of the greatest writers and coolest concepts. And a LOT of reading for your money!

19 of 21 people found the following review helpful.
Hard SF Is Not Entirely Dead
By Terry Sunday
If, like me, you lament the state of science fiction today, and if, like me, you long to read stories that will transport you back to the days of the masters of "hard" science fiction--writers like Arthur C. Clarke, Robert A. Heinlein, Hal Clement and Malcolm Jameson--then this thick volume could be just what you're looking for.

In general, I find today's science fiction unreadable. Every once in a while, out of desperation, sheer boredom or an attack of unwarranted optimism, I pick up a new-release SF paperback, or check one out from the library. I am invariably disappointed. Some current SF books I can't even finish, whereas I continue to read the old ones over and over. I can't recall ANY memorable SF books written within the last 20 years. In my humble opinion, there are very few recent books that even begin to compare to the "hard" SF classics like "Space Cadet," "The Deep Range," "Mission of Gravity" or "Bullard of the Space Patrol," to name just a few.

"The Hard SF Renaissance," however, gives me some hope that all is not lost. If you're a fan of "hard" SF, the stories in this book should appeal to you. While I don't agree that they collectively presage a "renaissance" of the "hard" SF style, they are nonetheless all quite good and live up to their billing. I commend this volume to you if you want to read good, "hard" SF without having to pull out an old, dog-eared, brittle 1950s classic from your collection.

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Wednesday, April 29, 2015

** PDF Download Vanished at Sea: The True Story of a Child TV Actor and Double Murder (St. Martin's True Crime Library), by Tina Dirmann

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Vanished at Sea: The True Story of a Child TV Actor and Double Murder (St. Martin's True Crime Library), by Tina Dirmann

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Vanished at Sea: The True Story of a Child TV Actor and Double Murder (St. Martin's True Crime Library), by Tina Dirmann

It was supposed to be blue skies and smooth sailing for Thomas and Jackie Hawks. A retired probation officer and a stay-at-home mom, they were looking forward to entering the next phase of their golden years. Their plan: To sell their home—a 55-foot, $435,000 yacht—and start a new life on land…and spend as much time with their grandchildren as possible. The Hawks were thrilled when a young man named Skylar Deleon wanted to buy the boat for himself, his wife, and their two kids. Little did Thomas and Jackie know that this unemployed,  former childhood actor and dishonorably discharged Marine had another devious plan in mind:  To lure the couple out to sea, force them to sign away their life savings, throw them overboard, and leave them

  • Sales Rank: #1231942 in Books
  • Published on: 2008-01-02
  • Released on: 2008-01-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.57" h x .71" w x 4.20" l, .29 pounds
  • Binding: Mass Market Paperback
  • 256 pages

From the Back Cover

YACHT FOR SALE BY OWNERS

Outstanding condition, cruise ready, moored in Newport Beach, CA.

It was supposed to be blue skies and smooth sailing for Thomas and Jackie Hawks. A retired probation officer and a stay-at-home mom, they were looking forward to entering the next phase of their golden years. Their plan: To sell their home—a 55-foot, $435,000 yacht—and start a new life on land…and spend as much time with their grandchildren as possible.

 

ASKING PRICE

The cost of two lives…

The Hawks were thrilled when a young man named Skylar Deleon wanted to buy the boat for himself, his wife, and their two kids. Little did Thomas and Jackie know that this unemployed,  former childhood actor and dishonorably discharged Marine had another devious plan in mind:  To lure the couple out to sea, force them to sign away their life savings, throw them overboard, and leave them VANISHED AT SEA.

About the Author

With more than a decade of reporting experience behind her, Tina Dirmann has covered some of the nation’s biggest news stories, interviewing notorious criminals and profiling A-list celebrities. She is a graduate of UCLA and worked for The San Bernardino County Sun and Riverside County’s The Press Enterprise newspaper before joining The Los Angeles Times, where she covered crime, courts, and county politics, and worked as a general assignment reporter on the state desk. Before leaving the Times, Dirmann earned a spot among a small team of reporters named as finalists for The Pulitzer Prize for coverage of the 2000 Alaska Airllines crash, which killed 88 people. In recent years, Dirmann switched from crime news to entertainment reporting, working as a staff reporter for Us Weekly magazine before becoming Deputy Bureau Chief for Star magazine. Vanished at Sea is her second true crime book. Her first, Such Good Boys, is a chilling account of how two sons conspired to viciously murder their mother. Dirmann is currently a contributing entertainment reporter/on-air personality for E! Entertainment and a freelance writer living near the sand and seas in Santa Monica, California.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
The name of the boat said it all—Well Deserved. And it was.
Standing on the deck of their 55-foot yacht, taking in deep breaths of the salty sea breeze brushing their skin, Thomas Hawks and his wife, Jackie, knew life didn’t get any better than this.
They weren’t rich. He was a retired probation officer. She was a stay-at-home mom. But they scrimped, they saved, they invested. And they retired early. By the time they sold their Prescott, Arizona home, they had earned enough to fulfill a lifelong dream—live life on the ocean blue. They fought hard to get there. And it was well deserved.
“We have been told that God doesn’t count time on the water towards your lifespan,” Thomas said of his life at sea, “so I’m sure Jackie and I have many more cruising years ahead of us.”
But even when life’s rewards are earned, there’s no guarantee fate won’t turn against you. Even the best of luck can go bad. Even the brightest fortune can be washed away by storms. Even the most promising horizon, appearing so blindingly brilliant, can be hiding the dark squall gaining strength just beyond your sight.
And so, there’s no way Tom and Jackie could know what lay ahead for them. The past two years had been so good. The couple spent their days traveling up the Mexican coast—Puerto Vallarta, San Carlos, La Paz, Guadalajara. If a patch of beach looked appealing, they simply stopped and dropped anchor. Sometimes their wanderlust brought them to the tiniest Mexican fishing villages, ones so small, locals didn’t bother naming them. But Thomas and Jackie had the kind of easygoing, fun-loving presence that never left them strangers in a strange town for long. They made fast friends and typically found themselves mingling with the locals, sharing their fish, indulging in a few beers. How long they stayed at each spot could depend on the flip of a coin.
“Do we leave today or stay another night?” Thomas might ask Jackie. “Or maybe we’ll just flip for it.”
Tom couldn’t imagine having spent the past twenty-four months doing anything else—though he had come dangerously close to postponing it all.
After nearly two decades of service as a probation officer for Yavapai County, Arizona, 56-year-old Tom was itching to start his new life at sea.
Shortly after turning in his notice to retire, bosses at the Yavapai County Probation Department weren’t ready to let Tom go. He had worked for two decades as a probation officer and it would be hard to find someone who would work as hard as Tom did.
Or care as much.
Twice a year he organized a ten-kilometer run to raise money for the sheriff’s office’s D.A.R.E. (Drug Abuse Resistance Education) program. As a volunteer Search and Rescue officer, he scoured his county’s rugged backlands in search of lost hikers. And he rode with the sheriff’s Jeep Posse, where he’d once helped comb the woods of Prescott for a little deaf boy who’d gotten himself lost. The team ultimately found him, scared but healthy, hiding beneath a clump of bushes.
He was the kind of guy even the probationers on his case load looked up to.
“The way my dad looked at it,” Ryan Hawks said of his dad’s job, “he thought he was helping someone who went down the wrong path in life get back on the right path. He thought this was his way of giving back to his community.”
One probationer, an artist, in thanks for all the guidance Tom provided, presented him with a portrait—of Tom himself, an avid bodybuilder, lifting weights. “That’s how much these guys loved him,” Ryan said. “They always wanted to give him things to show how much they appreciated his help.”
Desperate to keep Tom on the job a little longer, the county offered him another $500 a month on his retirement pay if he’d put in one more year. Initially, Tom said yes. Even though he’d already sold his home. Even though he’d already bought the Well Deserved. He said yes.
Then a close friend, Judge Robert Kuebler, the man who’d married Tom and Jackie so many years before, retired at age 53. He’d been a judge and educator for better than thirty years. Three months later, the father of five was vacationing in Deer Valley with his wife and one of their sons when his car careened out of control. His wife and son were airlifted to the nearest ER, and survived. Robert did not.
Tom took the news hard. Thirty days later, in August 2001, he put in his notice once again. And this time, he meant it.
“You know what,” he told Jackie. “Life’s too short. Let’s go.”
Later, Tom would write about his decision in a nautical magazine, explaining, “The sea was calling us and we couldn’t wait any longer. Life is just too short to put things off, and one cannot discover new oceans unless they have the courage to lose sight of the shore.”
Jackie was overjoyed. The 47-year-old homemaker was Tom’s second wife, but they had already spent twelve blissful years of marriage together. She had overcome her own challenges in life, too—like beating a brush with death over fifteen years ago, before she’d ever met Tom. She’d gone on to lead a happy life, finding joy in the simple tasks of keeping a tidy home for herself and her husband. And she doted on Tom’s sons from a previous marriage, Ryan and Matt, whom she’d helped raise. Though she was only their stepmother, they grew to love her so, they simply called her “Mom.”
But Tom was her best friend, and she couldn’t wait to spend days at sea with him. She dreamed of weeks with nothing more stressful on their minds than catching their dinner—until they could become so unaffected by time, they wouldn’t know if it was Tuesday or Saturday.
“Every day’s a weekend for me,” Tom liked to joke to his sons, especially when the boys complained about work deadlines, early morning meetings, and unreasonable bosses.
But as good as life at sea was for Tom and Jackie, something changed in the winter of 2004. Young Matt Hawks, an Arizona firefighter, and his fiancée had just had their first baby, a boy named Jace. And suddenly, Jackie longed for something more than her carefree, nomadic life at sea. She wanted to watch her first grandchild grow up. Tom, a fiercely loyal family man, couldn’t argue with that.
So the Well Deserved went up for sale. The plan was to buy a house their grandbaby could visit, probably in the Mexican resort town of San Carlos, along the Sea of Cortez—a spot where abundant sea life and mild temperatures made it ideal for cruising any time of the year. Of course, they’d pick up a smaller boat, so whenever the urge hit, they could take excursions up the Mexican Gulf.
In November 2004, Tom placed an ad in Yachting World magazine: 1980 LIEN HWA TRAWLER
55' ¥15'8''. 1350 fuel, outstanding condition, cruise ready,
everything imaginable. $435,000. Moored in Newport Beach, CA. By owner. The ad had been running several days before they got a call from a prospective buyer. His name was Skylar Deleon. 
Copyright © 2008 by Tina Dirmann. All rights reserved.

Most helpful customer reviews

51 of 53 people found the following review helpful.
A Horrifying Narrative - But Told Too Soon
By Alexander S. White
I picked this book up at a bookstore a couple of days ago when browsing the true crime section because the title and cover caught my attention. Today I had some free time and read the whole book. It is a well-written and straightforward account of a truly horrifying crime, orchestrated by a person who evidently is terribly twisted. It's not a spoiler to mention the crime, which is described early in the book -- the luring of an innocent retired couple to take several people on a test ride on the couple's $400,000 yacht, with the goal of murdering the couple in cold blood at sea after forcing them to sign over the title to the boat and their other possessions.

The horror of the crime compelled me to read on, as the author unfolded the tale of the crime's discovery and the competent steps taken by the police and prosecutor to bring the perpetrators to justice. The writing is about average, but it does not get in the way of the story, and the author's style gave me nothing to complain about.

But I do have one fairly major bone to pick with the author or her publisher, or whoever decided to publish this paperback original at this point. I have to give the publisher credit for getting the book in print in a timely manner -- one person was sentenced for a particular crime in October 2007 -- just 3 months ago! The problem is, the major villain in the book was scheduled to go to trial in "early 2008"! So, from reading this book about the crime, we don't know the ending of the story! I have read many true crime books, and I have never read one before where the principal culprit (alleged) has not yet gone to trial, at least where a trial is in the offing. (Jack the Ripper never went to trial, but that's a rather different situation.)

So, I found that the book did a good job of presenting the facts as they stand now, which left me wondering at the depths of human depravity (and stone-cold stupidity) that could have led to this unutterably awful crime. But, I really think a book like this should not be published until the main perpetrator's fate is known, at least in a case like this, where he has been caught and charged and is awaiting trial.

16 of 16 people found the following review helpful.
A Study in Sociopaths
By KDMask
I am a true crime junkie. I've read over 100 TC books in my lifetime. This has to be one of the most difficult accounts I've read because of the horrific details of the crime. Many times, the crime itself is left to the imagination. In this case, a witness tells exactly what happened. I actually kept going back to the photos to look at the victims because I just couldn't come to grips with what happened. Skylar is a perfect example of someone that never should be let near society again, period. The way this crime was carried out is just beyond human comprehension. This book honors the memory of the victims and gives us a good picture of their life. I also agree that it was rushed--I will have to look online to find out the ending of the trial. Thank God these people were caught, I can't imagine what they could have done if left to their own devices any longer.

10 of 11 people found the following review helpful.
Average account of a horrific crime.
By Upstate New Yorker
Tina Dirmann's account of the horrific deaths of Tom and Jackie Hawks at sea while they are showing their yacht off to psychopath Skylay Deleon and his cohorts reads like one of those "rush to print" true crimes books that seeks to beat the oppositon to the punch. Problem with such efforts is that as here, the principal villain, Skylar Deleon, has not yet even had his trial. The author must be assuming a guilty verdict yet OJ's trial should teach us it's never over till it's over. Also, failure to carefully edit the facts results in errors such as the author's assertion that the victim Tom Hanks had served in combat in the Phillipines. Clearly she was referring to the Vietnam conflict and got her history confused. All in all, barely a three out of five.

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# Download Ebook Diamond Rock, by Mark Schorr

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Diamond Rock, by Mark Schorr

  • Sales Rank: #4678850 in Books
  • Brand: St Martins Press
  • Published on: 1985-06
  • Ingredients: Example Ingredients
  • Binding: Paperback

Most helpful customer reviews

3 of 3 people found the following review helpful.
Red goes out with a bang.
By Steven R. Harbin
This was the third and last of Schorr's loving parody of the pulp detectives in his Simon Jaffee/Red Diamond series. In this no holds barred, no punches pulled thriller former cab driver Simon Jaffee, or "Red Diamond, 1940's Private Eye" and tough guy as he believes himself to be, meets up with his former wife Milly (who's suing him for divorce), his genius All-American son Sean (who's searching for his underage slut runaway sister, and wants dad's help)and a host of music industry moguls and rock stars who are worried that someone seems to be methodically murdering them one by one. The irony of all this is vividly conveyed by author Schorr, who paints a sympathetic and believable picture of "Red" who refuses to believe either his son or ex wife's lawyer, but still helps the boy while trying to guard a group of obnoxious, spoiled, male rock stars. All throughout of course he's always on the lookout for his beloved moll "Fifi" and the evil "Rocco" criminal mastermind. The only bad part of this book is that Schorr stopped writing the series with it, but read it and judge whether or not he did well by his hard boiled multi-personality hero.

0 of 0 people found the following review helpful.
Red Diamond's Requim, all good things coming to an end.
By Bern
Mark Schorr brings back the Don Quixote of hard boiled P.I.'s, Simon Jaffe AKA Red Diamond one last and regrettably final time. The split personality detective is back in New York to deal with his divorce hearings with his estranged ex-wife Milly who wants him locked up in the asylum, believing that he's holding out money on her in alimony. He gets hired by a Jewish mobster's ex-wife's lawyer to document his income by her and now his lawyer Moses Tartaglia, and gets re-united with his son Sean who desperately wants his help to find his floozie sister Melonie. On the trail Red gets pulled in to help figure out whose been killing rock stars, and ends up meeting his old flame Fifi La Roche, despite her claims that she isn't who he thinks she is. And finally at long last gets to have his showdown with his arch-rival Rocco Rico, its a great read and keeps you coming back for more. Too bad Schorr ended it.

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Monday, April 27, 2015

>> Free PDF The Race, by Richard North Patterson

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The Race, by Richard North Patterson

He's a decorated Gulf War pilot. A fashion plate. A ladies' man. An independent thinker who speaks his mind and never takes no for an answer. The only thing Americans can expect from Corey Grace is the unexpected...

Love him or hate him, the country can't wait to see how this charismatic white senator from Ohio―who now has fallen in love with black movie star Lexie Hart―will perform in the most brutal of political contests. Will Grace endure in spite of his controversial lifestyle, and a tragic mistake buried deep in his past? Or will he perish under pressure―from players on both sides of the party line? Nothing and no one in Grace's life is off-limits once the race begins. Now the only thing this candidate has to lose is…everything.

  • Sales Rank: #420834 in Books
  • Brand: St. Martin's Paperbacks
  • Published on: 2008-07-29
  • Released on: 2008-07-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.61" h x 1.13" w x 4.21" l,
  • Binding: Mass Market Paperback
  • 544 pages
Features
  • Great product!

From Publishers Weekly
Leaving courtroom thrills behind, Patterson crafts an absorbing and suspenseful account of a dirty run for the Republican presidential nomination. Sen. Corey Grace, a Republican from Ohio, became a public hero during the Gulf War after surviving the crash of his jet and enduring months of captivity and torture. Thirteen years later, he's 43 and one of a national magazine's 50 sexiest men alive. Corey has a real shot at winning his party's nomination-if, as his advisers constantly remind him, he can just rein in his impulsiveness, his party-line crossing votes and his habit of telling the truth. When Corey falls for sexy African-American actress Lexie Hart, who comes to Washington to lobby for stem cell research, Corey's advisers wring their hands. But they soon have more pressing matters to deal with: among the other candidates in the Republican field are evangelist Rev. Bob Christy and Sen. Rob Marotta of Pennsylvania-a man under the de facto control of Machiavellian campaign director Magnus Price, The Darth Vader of American politics. The perfidy and mendacity that follow mesmerize as much as they ring true. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Patterson's latest absorbing thriller centers on a timely topic, a heated presidential primary. Corey Grace is a war hero turned moderate Republican senator who is considering a run for president. Honest and somewhat unpredictable, he is reluctant to get into a race he knows will be drawn out and ugly. Complicating matters is his burgeoning relationship with Lexie Hart, an African American actress who also happens to be a liberal and a former heroin addict. Once he enters the race, Corey faces two fierce opponents: Rob Marrotta, a senator groomed from infancy for the presidency who is willing to do anything to win the nomination, and Bob Christy, an earnest but unrelenting evangelical. The contest comes down to two hot-button topics: stem-cell research and gay rights, and Corey's views do not match those of his opponents or the most conservative voters in his party. Marrotta's unscrupulous campaign manager makes it his mission to smear both Corey and Bob Christy, bringing the men together in an unexpected way. Initially readers will recognize similarities between actual political figures and Patterson's characters, but once the story starts cooking, the characters step beyond their molds. For anyone fascinated by how American politics works, this is a gripping read. Huntley, Kristine

Review

“An electrifying page-turner.” ―Seattle Post-Intelligencer

“Absorbing and suspenseful.” ―Publishers Weekly

“PATTERSON HAS REDEFINED HIMSELF AS A WRITER WILLING TO TAKE RISKS.” ―USA TODAY

“Required reading.” ―New York Post

“With verve, intelligence, passion and humanity, Patterson tells an important story--and one that may find a place with Advise and Consent and Seven Days in May on the shelf of honored political thrillers.” ―Richmond Times-Dispatch

“Absorbing…timely…a gripping read.” ―Booklist

“Will get your blood boiling…” ―Grand Rapid Press

“A timely, fast-paced political yarn....Highly recommended.” ―Library Journal (starred review)

“A slick new entertainment…Frank Capra idealism meets Karl Rove reality.” ―Entertainment Weekly

Most helpful customer reviews

24 of 25 people found the following review helpful.
An author on the wane
By mrliteral
One of the sadder things in sports is watching a once-great athlete clinging to his career, the glory days long since past. In writing, Richard North Patterson is not quite there yet - and unlike athletes, there's always a better chance at a comeback - but The Race is the latest in a run of several books that shows he's not the novelist he once was.

The Race focuses on the race for the Republican presidential nomination. Senator Corey Grace is a young star in the party, rising to the Senate after being a P.O.W. during the First Gulf War. He is a man of ideals that put him at odds with the party: pro-choice, pro-stem cell research and with assorted other "liberal" views. What's worse, in a party that often capitalizes on racism, he is dating a black actress (adding a second meaning to the title).

Running against Grace is the Senate Majority Leader, Rob Marotta who feels entitled to the nomination due to his service and Fundamentalist Christian televangelist Bob Christy. Marotta actually owes Grace his life, but that won't stop him from any sleazy attempt to get the office. Christy, on the other hand, has views are distinctively extreme, but also has an integrity that will form an unusual bond with Grace.

Despite the standard disclaimer that this is a work of fiction, you can tell that certain characters are stand-ins for real life figures. For example, the unctuous Magnus Price has a rather obvious resemblance to Karl Rove and media magnate Alex Rohr is a thinly veiled Rupert Murdoch.

The big flaw with The Race is common to Patterson's other recent novels: he is more interested in political discussion than in a story. And while I may agree with a lot of Patterson's apparent politics, they should supplement the story, not override it. And despite Grace's nominal party affiliation, he is really closer to a Democrat than a Republican, though a race for the Democratic nomination wouldn't give Patterson a chance to tear into the far right.

In certain ways, Patterson is prescient, with parallels occurring to our real 2008 Presidential race. And even if Patterson is losing his sense of storytelling, he is still a decent writer. A lot of opinion about the book will probably be dictated by the political leanings of the reader, but if you can overlook the slant, you'll find that this book is just average, at best, and another disappointment for those who remember when Patterson wrote good books.

24 of 29 people found the following review helpful.
Racing to the White House
By E. A Solinas
Is there a place for honesty and integrity in American politics? Yes! Only if all the candidates are heavily dosed with sodium pentathol.

But all kidding aside, politics has always been a hotbed for lies, hypocrisy and mudslinging. And in "The Race," Richard North Patterson gives the seemingly impossible a solid, impassioned shot -- the whole idea of a political candidate who actually means (most of) what he says.

Corey Grace is a sexy, kind, charismatic senator from a benighted town in Ohio, whose bright past as a war hero and politician is marred by a chilly divorce, a terrible war incident, and the tragic loss of his baby brother. Now he's one of the frontrunners for the presidency, but up against a religious fanatic, and a kindly but dim senator being manipulated by a political mastermind.

What's more, Corey has begun dating an African-American liberal actress, which has divided potential voters -- even after he saves his opponent from Al Qaeda assassins. Now his honesty is weighed against a politician's need to butter up his voters -- and he must fight his creepy opponents without selling his integrity, or betraying his new love.

You have to hand it to Patterson -- he really gives it a lot of passion and intensity, and it's pretty clear he's done his homework about the putrescent morass that is modern politics. That includes dealing with the touchy issues of our time -- including stem cell research, racism and war -- by trying to show both sides. Admittedly, not always equally.

The book itself is a dense, unwinding string of political battles, each tipping off a reaction in the voters and in other politicians. It's an elaborate story, full of unexpected twists, and a lot of them come from nothing more than an honest speech or a new strategy. It takes a lot of literary skill and atmosphere to make a simple speech suspenseful, but Patterson does manage it.

Do be warned: like any political book, this has a slant. Patterson does work hard to show both sides of debates like religion, stem cell research, et cetera. But he tends to paint the voting public in too extreme colours, with few of the many "in between" shades of grey. And Democrats are pretty much... MIA altogether, save the equally extreme Lexie.

Corey is a fairly solid lead character -- he has his flaws, his tragedies, his mistakes and his personal ghosts. His problem is that he seems, from the start, almost too tailor-made to be the perfect bipartisan politician, making him seem a bit too perfect. And sometimes credibility is stretched to keep him in the game -- Al Qaeda just happens to show up then to make him look heroic?

None of the other characters are really likeable... instead, they are almost frighteningly realistic, from the easily-manipulated politicians to the cold spin doctors, religious zealots to the hard-boiled liberal actress. It's hard not to read some real-life people into these characters, but they gradually grow personas of their own by the finale.

"The Race" has some stumbling blocks on the way to political -- and personal -- but despite a few flaws, Patterson's latest is a solid, intricate political thriller.

4 of 4 people found the following review helpful.
A Well Crafted Novel
By Samuel Levin
Patterson returns to the poltical arena for his newest work of fiction. It appears that there have been many books written on this theme, yet he is fresh in his approach and gives the reader much to think about. This is the story of three Republican Candidates running for the Office of President. One is the "Maverick" who votes, not along Party lines, but rather along Personal Beliefs. The other is a career Politician with a Manager who will do whatever is needed in order to bring home a victory for his candidate while the last member of the troika is fiery evangalist. The book raises issues as whether an honest politician (an oxymoron, to be sure) can be elected. It goes into what extent people will go to in effort to win the Nomination of their Party and goes to the backstabbing and infighting that have become part of todays Political Process. Perhaps this is why so many people have chosen to vote for the lesser of two evils, rather than have a true candidate who can energize the country and allow it to move forward. Each of the candidates has issues in their pasts that are worked through in different ways. The book is very well crafted and must be read slowly in order to appreciate the various machinations that are being worked through. Be aware that the writer does become somewhat "preachy" as he guides this book to its conclusion. Like Poltics, things are not always what they appear to be as numerous twists exist in this Political Thriller. A Candidate such as his Protagonist is truly a work of Fiction. This book deals with the Personalties of many that are in our Political Landscape today and brings up problems such as Race and Sex and their place in our Political Process. Other than Corey Grace, the Idealist, the characters were not well developed yet this is an excellent book which will have most readers thinking as well a wondering. I would strongly recommend it.

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Saturday, April 25, 2015

> Download Ebook Nightmare At 20,000 Feet: Horror Stories , by Richard Matheson, by Richard Matheson

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Nightmare At 20,000 Feet: Horror Stories , by Richard Matheson, by Richard Matheson

Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone, John Lithgow saw it in the movie-even Bart Simpson saw it. "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.

Here are more than twenty of Matheson's most memorable tales of fear and paranoia, including:

"Duel," the nail-biting tale of man versus machines that inspired Steven Spielberg's first film;

"Prey," in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;

"Blood Son," a disturbing portrait of a strange little boy who dreams of being a vampire;

"Dress of White Silk," a seductively sinister tale of evil and innocence.

Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

  • Sales Rank: #82541 in Books
  • Color: Black
  • Brand: Matheson, Richard
  • Published on: 2002-01-05
  • Released on: 2002-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .82" w x 5.49" l, .65 pounds
  • Binding: Paperback
  • 336 pages

Amazon.com Review
This classic horror collection showcases the early career of one of the field's most influential and innovative writers. Much of Richard Matheson's work has found its way into pop culture: the title story became a memorable episode of television's The Twilight Zone, and horror aficionados reading "Prey" will immediately visualize Trilogy of Terror's Karen Black hunkered down with a butcher knife. But this collection's power lies in its wide-ranging exploration of style and subject and the literary skill that Matheson demonstrated right from the start of his career. Many of his stories were decidedly unconventional when published (most in the 1950s and early 1960s), and still have the power to shock or to satisfy with their graceful inevitability. Matheson is not primarily a monster writer: rather, he examines how we create monsters from our own fears and frailties, and sometimes become the monsters ourselves. Nightmare at 20,000 Feet is a must-have collection for Matheson fans and readers who like their horror spare, precise, and chilling. --Roz Genessee

From Publishers Weekly
Although Matheson (I Am Legend; Hell House; etc.) needs no introduction to most horror fans, Stephen King provides one for this collection of classic weird tales in which he appreciatively remembers his mentor's "gut-bucket short stories that were like shots of white lightning." Spanning almost half a century, the influential contents are as much a roadmap to the direction horror fiction has taken since the 1950s as to Matheson's own legacy of spare, scary chillers. In lieu of pedantic priers into the Unknown, he offers sympathetic everymen, like the husband in "First Anniversary," who finds hints of the unearthly suddenly seeping through his comfortably complacent marriage. Matheson strips away horror's traditional gothic clutter to expose ordinary landscapes that perfectly take the imprint of his characters' paranoid fixations: that life's petty annoyances are part of a universal conspiracy to drive a person mad in "Legion of Plotters," and that dangerously malfunctioning household items are channels for a man's self-destructive anger in "Mad House." The agents of horror in these stories are less often the usual supernatural bogies than malignantly endowed everyday objects, like telephones, television sets and home appliances that are all the more frightening for their ubiquity. The well-known title tale about a nervous air traveler is a showcase for the author's trademark less-is-more prose style, which suspensefully delineates a psychological tug-of-war between man and a monster that may be purely imagined. Timeless in their simplicity, these stories are also relentless in their approach to basic fears. (Feb. 9)Lifetime Achievement, Matheson has also won Edgar and Hugo awards.

Copyright 2002 Cahners Business Information, Inc.

From Booklist
This volume collects 14 classic horror stories by an old master of the genre. The title story became one of the best-known Twilight Zone episodes, starring a young William Shatner, and was remade for the TZ movie. "Blood Son" explores the longing to be a vampire. "Witch War" deals with military use of occult powers in a highly original way. "Mad House" and "Slaughter House" both persuade us that not only can't you go home again but you probably shouldn't if you value your health and sanity. The other nine stories continue to vary in theme while remaining high in quality, though Matheson's short stories aren't as accomplished as such novels of his as I Am Legend (1954) and The Shrinking Man (1956). Still, there are plenty of good frights to be had herein. Roland Green
Copyright © American Library Association. All rights reserved

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51 of 52 people found the following review helpful.
A classic collection
By mrliteral
His name might not be as big as Stephen King's or Dean Koontz's, but Richard Matheson is nonetheless a master of horror fiction. Even if the name is not familiar, his works are: the title story has been shown in both Twilight Zone the TV show and movie and even been spoofed on the Simpsons. Another story in the collection, Prey, has also become a TV horror classic as part of the 70's movie, Trilogy of Terror. Matheson is also the author of the Incredible Shrinking Man, What Dreams May Come, Somewhere in Time, Stir of Echoes and I Am Legend.
In this set of short stories, Matheson shows he is worth all the praise he is given. The weakest of these stories are merely good and the best are not only great, but classics. Besides his talent to create fantastic horror scenarios and true suspense, he also can leave you thinking at the end of the story. In many of these tales, you are never quite certain if there is something supernatural going on or if it is all imagined by the main character. This intentional ambiguity, done incorrectly can frustrate the reader but in Matheson's hands, it adds an extra level of depth.
If you enjoy horror fiction, this collection is a must. It gives you an opportunity to read one of the most important and underrated persons in the genre.

39 of 41 people found the following review helpful.
Wonderfully Wicked and Entertaining Tales
By Jeffrey Leach
In the introduction to this collection of classic Richard Matheson short stories, no less of a figure than Stephen King delivers oodles of praise to this author. According to King, Matheson emerged in a time (the 1950s and early 1960s) when the horror genre desperately needed a kick in the pants. King attributes his very existence as a horror writer to Matheson's influence. With that type of praise, the stories here need to live up to a tremendous standard, which they do easily. It should go without saying that Richard Matheson is the grandfather of modern horror; his stories created indelible impressions on millions of people when Hollywood translated "Nightmare at 20,000 Feet" and "Prey" into memorable television moments. But nothing beats going to the source to see how the original stacks up to the adaptation. You will not be disappointed with this collection, I assure you.
This compilation starts off with the slam-bang "Nightmare at 20,000 Feet," a story made into an episode of "The Twilight Zone" with William Shatner staring as the nervous wreck of a lead character. An unbalanced traveler on a flight through a rainstorm sees something terrible on the wing of the plane, something no one else sees and which paints him as a potential troublemaker to the flight crew. This man immediately associates the thing he sees with a gremlin, or creatures that WWII pilots claimed they saw in the skies over Europe while on their bombing runs. Whatever this thing is, time is running out because this humanoid is tearing up exterior parts of the plane. Fortunately (or unfortunately, as the case may be), our neurotic hero has a gun on the plane. When he takes action everyone thinks he is nuts, but is he? And will people think him crazy when they eventually see the outside of the plane?
Then there is "Prey," a story instantly familiar to anyone who ever saw Karen Black's performance in "The Trilogy of Terror." In this tale, a young woman named Amelia is planning to go out on a big date. She even bought a present for her beau, a Zuni fetish doll. Then Amelia's overbearing mother steps in and insinuates that Amelia needs to cancel the date in order to spend time with her instead. This is regrettable for Amelia because she is now cut off from the help she will soon need to survive. The doll is no gag gift; it holds the spirit of a real African warrior, and when the charm holding back the spirit in the doll falls off it comes alive and attacks Amelia. The twist ending is nice and scary.
Other stories are not as good in terms of real chills and thrills, but still show Matheson's attempts to challenge conventional narrative techniques in order to create a foreboding sense of doom. "The Dress of White Silk" tells the story of a weird, deceased mother through the crude, rambling baby talk of her young daughter. "Through Channels" takes the form of a police interrogation, with the "swish" of the tape recorder reminding us of the atmosphere the characters are in. These stories work, not because they are overwhelmingly scary, but because they reveal how to rework stories that are usually tired and formulaic (such as the vampire genre) into something that has real potential.
My favorite story in this book was "Disappearing Act." In this frightening description of a man not only losing his identity but also his very being, Matheson traces the increasingly eerie events that occur when a poor bloke realizes the people and places he has known for years either vanish completely or fail to recognize him as a corporeal reality. The chills come in the languid way Matheson unfolds the story, quietly escalating each new shocking realization towards a dreadfully wicked climax. The author never explains why or how this is happening, which makes it even more jarring. For what can be worse than losing your very existence while you are aware that it is occurring? The story makes you wonder how you would react in the same situation.
Nearly every type of horror story is present in this collection. Vampire tales, ghost stories, haunted towns, plagues, and yarns about psychotics all appear throughout the book. Stephen King almost certainly borrowed the plot of "Needful Things" from the Matheson story "The Distributor," a tale about a new neighbor who creates all sorts of problems for those living around him. In short, nearly every story here shows Matheson's huge influence on succeeding generations of horror hacks. The stories included in "Nightmare at 20,000 Feet" makes me want to go out and pick up other classic Matheson collections, both his short stories and his novels. This author strikes quite a figure in the world of the horror fan, but he ought to be better known in the general population because his stories have a timeless quality to them that promise to entertain again and again.

14 of 14 people found the following review helpful.
Twenty Horrific Hauntings
By Bruce Rux
Each of the twenty Matheson short story/novella gems in this collection represents a separate haunting, of sorts. There are traditional haunted houses, haunted psyches, and beings from elsewhere who haunt and bedevil unsuspecting souls in strange places. Unlike most horror authors, Matheson excels both in the writing of novels and the writing of short stories, and each of these little nightmares are quite well-crafted.
The two showpieces, beginning and ending the book, are among the author's most famous stories. The former is the title of the book, in which a fearful flyer becomes engaged in a private little war with a gremlin that is dismantling the engine of the plane in which he is riding. This story was the concluding one of the Twilight Zone movie, and was probably the best known (or at least best remembered) of the original series. The latter, "Prey," was adapted into the central piece of two Dan Curtis T.V. movies, Trilogy of Terror and Trilogy of Terror II. "Prey" revolves around a Zuni fetish doll called "He Who Kills," who - needless to say - lives up to his name.
These two stories alone are worth the price of admission, but Matheson has included eighteen more from his early 1950s to late 1960s period, when he was at his peak. Among them are found psychopathic interlopers, men driven mad with their own rage or paranoid obsessions, psychotics, ghosts, vampires, unearthly predators...something for everyone.
I am a lifelong Matheson fan, and was surprised at the number of stories in this collection I had never seen before. I meant to savor them over at least a week, but found myself reading the whole lot from start to finish in a single sitting - without even going to the bathroom!
Highly recommended for all fans of horror stories, and lovers of short stories in general. Matheson is a genuine master.

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