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Back in print for the first time in more than a decade, Gene Wolfe's The Fifth Head of Cerberus is a universally acknowledged masterpiece of science fiction by one of the field's most brilliant writers.
Far out from Earth, two sister planets, Saint Anne and Saint Croix, circle each other in an eternal dance. It is said a race of shapeshifters once lived here, only to perish when men came. But one man believes they can still be found, somewhere in the back of the beyond.
In The Fifth Head of Cerberus, Wolfe skillfully interweaves three bizarre tales to create a mesmerizing pattern: the harrowing account of the son of a mad genius who discovers his hideous heritage; a young man's mythic dreamquest for his darker half; the bizarre chronicle of a scientists' nightmarish imprisonment. Like an intricate, braided knot, the pattern at last unfolds to reveal astonishing truths about this strange and savage alien landscape.
- Sales Rank: #172567 in Books
- Brand: Wolfe, Gene
- Published on: 1994-03-15
- Released on: 1994-03-15
- Original language: English
- Number of items: 1
- Dimensions: 8.54" h x .63" w x 5.47" l, .55 pounds
- Binding: Paperback
- 256 pages
Amazon.com Review
A brothel keeper's sons discuss genocide and plot murder; a young alien wanderer is pursued by his shadow double; and a political prisoner tries to prove his identity, not least to himself. Gene Wolfe's first novel consists of three linked sections, all of them elegant broodings on identity, sameness, and strangeness, and all of them set on the vividly evoked colony worlds of Ste. Croix and Ste. Anne, twin planets delicately poised in mutual orbit.
Marsch, the victim in the third story, is the apparent author of the second and a casual visitor whose naïve questions precipitate tragedy in the first. The sections dance around one another like the planets of their settings. Clones, downloaded personalities inhabiting robots, aliens that perhaps mimicked humans so successfully that they forgot who they were, a French culture adopted by its ruthless oppressors--there are lots of ways to lose yourself, and perhaps the worst is to think that freedom consists of owning other people, that identity is won at the expense of others.
It is easy to be impressed by the intellectual games of Wolfe's stunning book and forget that he is, and always has been, the most intensely moral of SF writers. --Roz Kaveney, Amazon.co.uk
Review
“Gene Wolfe is unique. If there were forty or fifty of this first-rate author--no, let's be reasonable and ask Higher Authorities for only four or five--American literature as a whole would be enormously enriched.” ―Chicago Sun-Times
“One of the major fictional works of the decade...Wolfe's novel, with its elusiveness and its beauty, haunts one long after reading it.” ―Pamela Sargent
“A richly imaginative exploration of the nature of identity and individuality.” ―Malcolm Edwards, The Science Fiction Encyclopedia
“SF for the thinking reader..The style is highly literate and the ideas sophisticated and handled with sensitivity.” ―Amazing SF
“One of the 100 best science fiction novels...A truly extraordinary work. One of the most cunningly wrought narratives in the whole of modern SF, a masterpiece of misdirection, subtle clues, and apparently casual revelations.” ―David Pringle
About the Author
Gene Wolfe has been called "the finest writer the science fiction world has yet produced" by The Washington Post. A former engineer, he has written numerous books and won a variety of awards for his SF writing.
Most helpful customer reviews
49 of 56 people found the following review helpful.
Excellent, but where are the Cliffs Notes?
By Michael Battaglia
Out of the many, many fine books Gene Wolfe has done, this is probably considered his greatest single novel (as opposed to the Long Sun, Short Sun, etc series, all of which deserve their critical acclaim) due to its richness and complexity. People looking for an easy way to break into Wolfe's writing won't find it in this book, he piles on the head hurtin' stuff pretty early and it doesn't let up, adding layer upon layer of meaning and detail to the point where the reader cannot ignore it, you have to spend time actively interepreting the novel or reading it becomes a wasted effort. Such is the genius of Wolfe and of not taking the easy way out. The novel actually consists of three fairly separate novellas and while Wolfe could have devised some vague basic linkage and taken three novellas and dumped this arbitrary linkage over them and been done with it, he goes way further than that. The novellas are all different, but they're also all connected in some way, either through offhand scenes or subtle clues or overarching themes or perhaps all of that and more. There's a reason for nearly everything done in the book, from the placement of the novellas to the order of events happening in each section, heck, even the titles are chosen for specific reasons that resonate within the structure as a whole. The first novella sets the scene, a pair of sister planets orbiting each other, colonized by man, and rumored to have once been home to a race of shapeshifters who may have been so good at shapeshifting that they took humanity's place and then promptly forgot they did (the "copy is not the original, or is it?" argument), one of the ideas explored throughout the novel is this question of identity, whether the human race has really been replaced and if so, do the new people count as humans since they're like them in every way. And would anyone even notice? This is not typical SF stuff and it's not told in a typical SF way, for every nuance that I "got" I'm sure a hundred more went over my head, this is a book that demands rereading and is so far from the "So, Zolgar, we meet again" type of SF that fans of literate, intelligent novels will want to jump up and cheer. For all the literary tricks in the novel, it never comes off as pretentious, Wolfe is exploring real themes with real resonance and it all works with the scheme of the novel, none of it can be confused with arty indulgence. Still kind of in print (most bookstores seem to carry at least one copy) it's an excellent introduction to Wolfe, since the longer series can be a bit overwhelming, but again, don't think you're getting off easy. Smaller doesn't mean simpler and shorter doesn't mean less work is involved. People who demand a little more effort from their book and want more than simple entertainment, regardless of genre, should give this a look.
16 of 17 people found the following review helpful.
Wolfe is the best author alive
By 5 Elements Style
When I originally read this book, I had trouble making it through the first of the three novellas. I wasn't prepared for Wolfe's many layers, and thus missed a great deal of symbolism and hidden meaning.
When I came back to this book and read the final two novellas, something clicked and I realized how beautiful and subtle a writer Wolfe is, filled with ideas. The stories are interpretable many ways, and thus with each reading of them I find myself thinking more and more, and enjoying the book more and more.
For anyone who is interested in the deeper meanings of Wolfe's works, I would suggest searching the Internet Public Library for criticism on him, specifically the Post-Colonial thought found throughout the novellas in Fifth Head of Cerberus.
Get this and all of Gene Wolfe's works.
25 of 29 people found the following review helpful.
An awesome literary achievement of enigmatic narrative and original plot
By Christopher Culver
THE FIFTH HEAD OF CERBERUS, Gene Wolfe's first book-length work of note, is a collection of three seemingly unrelated novellas that are, at the close of the third, shown to be cunningly interlinked. The first novella, "The Fifth Head of Cerberus", was published in one of Damon Knight's Orbit anthologies in 1974, while the latter two were written and published together to expand the themes and plot of the first. The setting of it all is Sainte Anne and Saint Croix, two sister planets revolving around a common center of gravity in a far-away solar system, colonized first by Frenchmen and later occupied (in a brutal fashion, it is hinted) by later waves of English-speaking colonists. Before men arrived, legend goes, Sainte Anne was inhabited by an indigenous race of shapeshifters, which humans wiped out. Or did the aboriginals wipe out the colonists, imitating them so faithfully that they forgot their own origins? The novellas touch upon many themes of post-colonial theory.
In the first novella, a young man grows up in a strangely sheltered environment on Saint Croix, discovering at last the secrets of his scientist father's work. Here, the aboriginal inhabitants of the sister planet are only briefly mentioned, but the plot has much more local concerns. The second novella "'A Story' by John V. Marsch" is inevitably confusing to first-time readers, and initially seems unrelated to the first. It is the story of an adolescent's initiation to manhood in a primitive society, a dreamquest that brings him across a bizarre landscape and introducing him to various tribes espousing peculiar religious beliefs. In the third novella, "V.R.T." a bureaucrat on Saint Croix goes over the diaries of an imprisoned anthropologist. Again, it seems a complete change of direction with little to link it to the first two, but by the end a story arc spanning the three novellas is revealed. THE FIFTH HEAD OF CERBERUS is an excellent example of Wolfe's love for mysteries, some revealed so casually the reader might easily miss it, and others so deeply buried that it may take several tries for the author to find the key. This all gives the book excellent re-read value. And here one can see the genesis of the techniques that Wolfe used in later works, such as his masterpiece The Book of the New Sun.
The narrative here is so ingeniously constructed that I would recommend THE FIFTH HEAD OF CERBERUS to any lover of literature, even those that are usually wary of anything called science-fiction. Wolfe's novel PEACE, published a year later, continues this strong writing and is also highly recommend, and its plot might be attractive to a more general audience.
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