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The Death of Frank Sinatra: A Mystery (Dead Letter Mysteries), by Michael Ventura
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When his schizophrenic brother unwittingly says the wrong thing at the wrong time, he reveals a secret that may link private detective Mike Rose's family and the Vegas mob to the Kennedy Assassination. Suddenly at the top of the Mafia's hit list, Mike must confront the demons in his family history while scouring the underbelly of Las Vegas--a city where the American Dream can turn into a neon nightmare.
- Sales Rank: #2734527 in Books
- Brand: St Martins Press
- Published on: 1997-10
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .95" h x 4.17" w x 6.82" l,
- Binding: Mass Market Paperback
- 320 pages
Amazon.com Review
It's 1993 in Las Vegas. They're about to blow up the historic Dunes Hotel to make room for some new architectural marvel; Frank Sinatra is making his last appearance at the Desert Inn; and private eye Mike Rose is trying to keep himself and his delusional brother Alvi alive. In this tremendous new mystery from veteran L.A. Weekly columnist Ventura, the emotional geography of Vegas comes to life as never before. Rose's parents were connected to some of the the city's darkest hours. Now, to pay off old debts and protect fragile friends, he has to shed some blood and look under some nasty rocks. Sinatra, of course, doesn't die -- but lots of other people do.
From Publishers Weekly
The Chairman of the Board acts as both metaphor and player in Ventura's intense, dark-hued new novel (after The Zoo Where You're Fed to God). Small-time Las Vegas PI Michael Rose is the son of an old-time Sicilian Mafia enforcer who mysteriously disappeared shortly after John F. Kennedy's assassination. When Rose takes a case involving a woman hell-bent on killing her husband, he follows in his father's footsteps by finding himself on a Mafia hit list?because his schizophrenic brother has asked a seemingly innocent question in the club owned by one of their father's fellow assassins, a longtime family friend. The action intensifies with a confrontation during a Desert Inn concert by the ancient Sinatra. Lust, betrayal, murder and hints of far-reaching political machinations run rampant as Rose is forced to become a ruthless predator and the suspense builds to a nail-biting conclusion. Ventura ably captures the contrasts among the sun-splashed, forbidding desert outside Vegas, the shabbiness of the daylight city and the neon-lit nighttime surrealism of a place where there are no clocks and no one sleeps. The impending demolition of the landmark Dunes hotel to clear the way for a new generation of bigger and better casinos is typical of the brooding symbolism he employs to highlight the vanity and transience of materialism. Ventura vivifies the myth of Vegas here, inducing a sense of a place that is its own reality as he offers a chilling look at the influence of organized crime in today's Sodom and Gomorrah. Rights (except electronic): Melanie Jackson.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
"Surely, in some far-off village or city, if a man went purposely toward murder the walls would know, and it would be ever so slightly harder to open doors, and there would be a faint sticky resistance on the pavement where you stepped, and every stop sign would jar you." If you think this passage is the cat's meow, maybe Ventura's (The Zoo Where You're Fed to God, LJ 8/94) book is for you. You won't have much company, though; this is a very, very bad novel, poorly written and thinly plotted. This story of a Vegas private investigator forced to kill in order to save his own life and the life of his brother, is soft where it should be hard, flabby where it should be lean. At regular intervals, the narrative is interrupted as the P.I. gushes inferior philosophy in slushy streams of consciousness. "I used to think that killers couldn't afford philosophy. But maybe that's all we can afford," he muses. "After all, it comes so cheap." Well, this brand does. The premise of this hackneyed novel is potentially interesting, but it was done much better in Peter Blauner's funky Casino Moon (LJ 8/94). Not recommended.?David Keymer, California State Univ., Stanislaus
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Sinatra's not the only one
By A Customer
The Hamlet-esque mind of Mike Rose is the hook to Ventura's "The Death of Frank Sinatra". His head whirls in the indecision of what he loves or hates and in some cases what or whom is the object of both extremes. The italicized asides in the first person are probably the strongest portions of the book as Rose's wannabe existentialist is continually crippled by loathing for himself, his past, his connections, and perhaps most of all, for Las Vegas which he believes is his puppet master and submissive lover all at once.
Here is the crux of the novel which centers on a private eye who has bathed with and been raised by mobsters but has remained on the edge of the precipice without ever truly jumping in. It is an intriguing dilemma when his unstable brother unwittingly blabs "too much" in front of a grizzled old Outfit veteran, although as with most of the book what is spoken is half said, a half truth and, well, to be blunt, only half convincing. It's all well and good having the circle of insecurity forever turning in one's head, but surely no group of people are as instantly tuned in as Ventura's characters are. It seems half the time that, whoever it is, they are inexplicably able to read their conversation partner's mind, irrespective of intelligence, age or familiarity. What we get is a series of unfinished statements and knowing glances, which doesn't quite wash.
At first, I thought the insight into Vegas, spearheaded by the persona and rep of Frank Sinatra - a nifty touch - was about as illuminating as a travel guide, but without really being conscious of it, the constant bombardment and repetition of the town's warts and all, became quite intoxicating and ultimately revealing. I was less convinced by the insider knowledge of the mob, which seemed to focus on shock value and sensationalism, in marked contrast to the understatement of the book's overall tone. The little nuances that are so prevalent in Scorsese's films, for example, that help to humanize and rationalize are absent for the most part here.
The plot is convoluted and difficult to grasp with several intertwining threads that don't really mesh. However, in truth, most of the action happens in Rose's head, so that's not as disastrous as it sounds. Still, there seemed to be several loose ends that Ventura was content to let lie, which was a little unsettling.
Overall, I felt it was indulgent and melodramatic, teetering on the edge between dark social commentary about an inately corrupt city, and simply incoherent rambling, but the well expressed sadness and stolid, if misguided defiance of the central character, along with the admitted originality of the style was enough to earn 3 stars. Just.
9 of 9 people found the following review helpful.
A 'Must Read' book!
By A Customer
I live in Las Vegas and have read over forty books about it, trying to get a handle on the bewildering nature of this carnival town. Believe me, no author comes close to capturing the soul of this monster city the way Michael Ventura does.Ventura is a brilliantly funny cynic and it took an illuminated mind like his to write this definitive Las Vegas novel. He may be the most underrated author of our time. This is revolutionary and courageous writing and Ventura knows exactly what rules he is breaking every step of the way. He writes more between the lines than he does on them. This book throws a spiritual mirror in front of the face of contemporary society through the two day story of a Las Vegas Private Eye and his personal resurrection (and hopefully, by osmosis, our's also). I loved this book and if you like break-thru literature, you will too."Nobody comes to Vegas to be innocent"."Fremont Street just after dawn. It's not on any postcards". "What a perfect place for human beings, a place where you could do anything yet leave no mark- except upon yourself". "The city...It'll sing and cry and strip for strangers. One big dancing hooker of a town, leading everybody on with neon in her eyes".
1 of 2 people found the following review helpful.
A 'Must Read' book!
By A Customer
I live in Las Vegas and have read over forty books about it, trying to get a handle on the bewildering nature of this carnival town. Believe me, no author comes close to capturing the soul of this monster city the way Michael Ventura does. Ventura is a brilliantly funny cynic and it took an illuminated mind like his to write this definitive Las Vegas novel. He may be one of the most underrated authors of our time. This is revolutionary and courageous writing and Ventura knows exactly what rules he is breaking every step of th way. He writes more between the lines than he does on them. This book throws a spiritual mirror in front of the face of contemporary society through the two day story of a Las Vegas Private Eye and his personal resurrection (and hopefully, byosmosis, ours also). I loved this book and, if you like break-thru literature, you will too. / "Nobody comes to Vegas to be innocent". "Fremont Street just after dawn. It's not on any postcards". "What a perfect place for human beings, a place where you could do anything yet leave no mark - except upon yourself". "The city...it'll sing and cry and stripfor strangers.One big dancing hooker of a town, leading everybody on with neon in her eyes".
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