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The Little Country, by Charles de Lint
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When folk musician Janey Little finds a mysterious manuscript in an old trunk in her grandfather's cottage, she is swept into a dangerous realm both strange and familiar. But true magic lurks within the pages of The Little Country, drawing genuine danger from across the oceans into Janey's life, impelling her--armed only with her music--toward a terrifying confrontation.
Come walk the mist-draped hills of Cornwall, come walk the ancient standing stones. Listen to the fiddles, and the wind, and the sea. Come step with Janey Little into the pages of...The Little Country.
- Sales Rank: #1277377 in Books
- Published on: 2001-04-07
- Released on: 2001-04-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.21" w x 5.50" l, 1.55 pounds
- Binding: Paperback
- 544 pages
From Library Journal
Morrow. Feb. 1991. c.544p. ISBN 0-688-10366-9. $22.95. fantasy When musician Janey Little discovers a hidden book in her grandfather's Cornwall home, the magic within its pages unleashes a chain of events that stretches across the sea to America, where a self-styled magician senses and covets its power, and to Madrid, where a sailor responds to a deeper, more lasting call. The author of Moonheart (Ace, 1984) and other fantasy novels asserts his unique ability to weave together a seamless pattern of magic and realism as this story within a story unfolds with elusive grace. Highly recommended.
Copyright 1991 Reed Business Information, Inc.
Review
“A keeper, intricate and entertaining...I read it straight through in one sitting!” ―Robert Jordan
“What a great, galloping wonder of a book--deep and wide and witty and wise. And absolutely impossible to put down.” ―Jane Yolen
“A must for all connoisseurs of high imagination.” ―Greg Bear
“A masterful blend of the sinister and the fantastic.” ―Julian May
“An intricately structured novel, full of a wealth of detail about music, Cornwall, and things magical and arcane. I think it is one of de Lint's best.” ―Patricia McKillip
About the Author
Born in Holland in 1951, Charles de Lint grew up in Canada, with a few years off in Turkey, Lebanon, and Switzerland.
Although his first novel was 1984's The Riddle of the Wren, it was with Moonheart, published later that same year, that de Lint made his mark, and established him at the forefront of "urban fantasy," modern fantasy storytelling set on contemporary city streets. Moonheart was set in and around "Newford," an imaginary modern North American city, and many of de Lint's subsequent novels have been set in Newford as well, with a growing cast of characters who weave their way in and out of the stories. The Newford novels include Spirit Walk, Memory and Dream, Trader, Someplace To Be Flying, Forests of the Heart, The Onion Girl, and Spirits in the Wires. In addition, de Lint has published several collections of Newford short stories, including Moonlight and Vines, for which he won the World Fantasy Award. Among de Lint's many other novels are Mulengro, Jack the Giant-Killer, and The Little Country.
Married since 1980 to his fellow musician MaryAnn Harris, Charles de Lint lives in Ottawa, Ontario, Canada.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Worth reading again.
By Anne Hillis
Bless him, he keeps rewriting books different, or finding that a short story has a whole book attached to it with many more adventures, and I have some trouble telling whether I already read something or not.
So yes, I read a shorter version of this, and this one has some very unpleasant people doing nasty things. Also some ways of fighting witches that I think you will find disappointing if you are dealing with the wrong sort of witch.
His word view is very seductive, but I suspect he's writing fiction. I'm sorry..
6 of 8 people found the following review helpful.
One of my favorite books ever
By Eric Picard
This book changed me. It will change you too. It is one of the most 'complete' books I've ever read. The characters are so real that I have contemplated writing them letters.
de Lint is a better storyteller than most - I've described his writing to friends as "as clear and inventive as Steven King, but with actually well-written prose and resolved characters - not just good storytelling." But don't let any mention of Steven King push you away if it's likely to. My main point is that his writing is going to appeal to a broader market than the typical SF/Fantasy crowd that it's aimed at.
7 of 8 people found the following review helpful.
Way below his best work
By Pop Bop
I am a big deLint fan, and am sort of reluctant to write this review, but I think I have to. If you read the other reviews closely you will detect a lot of suppressed disappointment. There are a lot of four star reviews that are really three stars, with the fourth star being tossed in because, hey, it's deLint.
I think that the biggest problem is that this is a "book within a book" project, and it's really a "good book within a bad book" project. By that I mean that the fantasy book that is the magical heart of the work is very good and very satisfying. As a stand-alone novella or short novel it would be outstanding. In fact, I would recommend that if you find yourself in possession of "The Little Country" you just read every other chapter, (which would be all of the excerpts from the mystery book).
As for the larger work that frames the whole story, it is a stew of tired conventions. There is a psychotic assassin whose carefully described love of torture is freakishly out of place here. There is an incoherently described secret society of powerful whatchamacallits that is laughably childish. The heroine is of the freeze-in-the-headlights variety, and the hero is so conflicted and indecisive that he is a cypher. Probably worst, every time the protagonists can't figure what is happening or what to do, they visit a wise hermit, or a witch, or a mysterious stranger, who explains the plot to them, tells them all of the facts and developments he has "sensed" or divined, and then tells them all what to do next. This is not even mentioning the goofy secondary characters who are either idiots or shallow whiners, or the sex zombie dust that generates sex scenes explicit enough to keep this off the middle grade reader shelf.
So, if you took a low quality airport bookstore paperback thriller and mixed it in with a wonderful and compelling fantasy story, you'd get this. I'm sorry.
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